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If your web provider has a data cap, that could be a concern. Also, that kind of usage can slow down gaming, streaming Netflix, and other devices on your network, especially if you have more than one Nest camera. As with all Nest cameras, the Nest Cam automatically adjusts the quality of uploaded video based on your connection. However, the resulting low-quality video may defeat the purpose of having the Nest Cam Indoor and a Nest Aware subscription.

As with the Nest Cam Outdoor our top outdoor camera pick , the indoor camera works with two different apps: Nest and Google Home. We think the Nest app will soon be retired, but we actually prefer it because it provides a live view on launch. Tapping on that window brings up the live view as well as events with animated thumbnails.

In the Google Home app, you need to navigate to the camera to bring up a live view, tap on a right-side menu three dots , and tap Full History to get to video clips. Both apps allow you to filter events so that you see only those you care about, such as ones triggered by a person. Like its predecessor, it can record to a microSD card or record second clips to the cloud, but we think it works best as a security camera when paired with a Cam Plus subscription. We will continue testing it and will run a full review closer to the widespread launch.


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Over the past few months, Ring has changed and enhanced its privacy and security practices. We will also take another look at the Ring Stick Up Cam, which can be used indoors and outside and has a plug-in and battery-operated versions.

This latest version captures p images, with a degree viewing angle. Both are 2K resolution, provide both local and cloud recording options, and support Amazon Alexa and Google Assistant. The KCS adds color night vision and the ability to track motion up to degrees. Both cameras offer person detection and support for Amazon Alexa and Google Assistant, and can be used on their own or added to an Abode security system.

Although both are similar, the Outdoor Smart Camera is designed to be more flexible, and comes with a variety of mounts so you can place the camera by an existing doorbell or via a plug-in outlet. In May, Cync formerly known as C by GE will release its Indoor Smart Camera which provides p video, local and cloud storage, and a privacy shutter that can be controlled manually or through the new Cync app. The Arlo Q had been a longstanding pick. Eufy also has the Indoor Cam 2K Pan and Tilt , which provides an expansive view of degrees horizontal and 96 degrees vertical.

For instance, in our living room, it became fixated on the TV and missed people and pets in the general living space. In the kitchen, it turned its attention to rain outside and even became fixated on spiderwebs yes, we should really clean those. We love how secure the format is, but it periodically misses a lot of action—sometimes for even hours or days at a time.

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We considered the Kasa Cam KC for one of our top spots, but it left gaps of up to 25 seconds in between recordings. Although the Blink cameras we have tested capture decent images, we think our top two picks remain the better option for bargain-hunters. The battery-operated Blink Indoor can record up to second clips, with the Blink Mini maxing out at 30 seconds—but both leave a minimum of 10 seconds in between recordings, which means you can miss out on a lot of action.

For instance, in our testing, we could see a family member come into the kitchen but missed them grabbing a snack and in at least one instance, making a huge mess. However, a subscription adds features like Familiar Face alerts, which can distinguish between family members and strangers. And because this camera has a 4K sensor, it soaks up extra bandwidth.

The Ecobee SmartCamera delivered far too many false alerts. It would often focus on our ceiling in the middle of the night. Speaking of which: Night vision was hit or miss, often looking incredibly sharp, but too frequently showing nothing at all. We also found the app more difficult to use than it should be and that the camera is just too expensive for what it offers though it does double as an Alexa device. We were also concerned with how hot the Ecobee got in regular use.

We had issues with the Blue by ADT Indoor Camera missing action and found motion notifications took longer than most other cameras we reviewed. The Arlo Ultra is pricey, but it pumps images up to 4K resolution and has a great daytime image. In our testing, however, we found the motion sensor to be touchy, with awful night-vision performance, and wonky tracking and poor battery life to boot.

The Canary is one of the largest cameras we tested, and it offers two-way communication with its paid Canary Membership. Also, the Angee is low on features and big on operating costs. Mike Prospero, Best home security cameras in Top wireless, indoor and outdoor models , Tom's Guide, October 28, Rachel Cericola is a senior staff writer at Wirecutter who has been covering smart-home technology since the days of X She hopes her neighbors read this bio because it would explain why she always has four video doorbells running simultaneously outside her home.

Our pick. Eufy 2K Indoor Cam The best indoor security camera for daily use This camera offers a sharp image, four choices for video storage, a continuous recording option, and can distinguish between different motions and sounds. The film charts the life of Brady Blackburn Brady Jandreau provides the bruised performance , a Lakota Sioux on the Pine Ridge Reservation, in the aftermath of suffering a traumatic head injury during a bronco competition that prevents him from riding again.

The Rider is a grim meditation on the nature of masculinity and what happens when we lose the ability to do what brings meaning to our lives. A Separation begins with an upper-middle-class couple from Tehran battling in front of a judge about whether their marriage is over, then builds into so much more — a spellbinding two-household tragedy that encompasses themes of class, faith, generational obligations, and the flight of human capital. An year-old girl who spends her days in a Cincinnati boxing gym is drawn into the world of an all-girl dance squad, and her strained, aggressive reality is transformed into one of freedom, movement, and possibility — and then a mysterious, possibly symbolic illness starts to hit the squad.

Go for the longer version. Relentlessly inventive and hilarious while also being enormously powerful, this is the closest cinema has come yet to replicating the aesthetic delirium of comic books. To that end, the film includes mundane interactions that sometimes slip into surrealism, and wild experimental passages. An unimportant exchange suddenly reveals deeper realities; odd, throwaway images come back as soul-crushing memories.

The utter meaninglessness and forgettable humiliation of an ordinary life is reimagined as a heartbreaking tribute to our common humanity.


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How can something so small, created by one guy slaving away with a pen and paper for years, be so complex, so indescribably transcendent? You have never, ever, ever seen anything like it. Chris Pine and Ben Foster are the brothers who steal from banks that have stolen from others, Jeff Bridges the sardonic lawman on their tail. Is there anything left to say about it? What could have felt gratuitous, even silly, instead is rendered with care and specificity.

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The film boasts a mesmerizing, lucid turn by the actress that ranks as some of the best work of her career. Director Park Chan-wook loosely adapts Fingersmith by Sarah Waters, transporting it to Japanese-occupied Korea, creating a culturally sumptuous queer tale brimming with turns of fortune and double crossings. The probing gaze of Park and cinematographer Chung Chung-hoon is rich with hypnotic detail and texture. Coupled with its evocative performances , particularly by Kim Min-hee as the mysterious and yearning Lady Hideko, watching The Handmaiden is like being lulled into submission by an ornate spell.

In so doing, Johnson not only gives us a glimpse into the observational, technical, and emotional work that filmmaking requires, she teaches us how to see anew. The writer-director Olivier Assayas has a genius for using ephemeral, gossip-magazine ingredients — wealth, fashion, celebrity — as a springboard for that most timeless of themes: the ephemerality of us.

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Perhaps it was the frame ratio that made every scene a titch more claustrophobic. But what this moment signaled to me is that I was in the hands of truly striking filmmakers. And as the timelines and stories and characters collide amid the escalating delirium of war, what comes through is a touching narrative about the clarifying power of defeat and failure. Great opening shot though. In following a character whose great power is his ability to evade and disappear, it explores the psychic scars that propel his need for self-negation. A formally dazzling movie that represented a triumphant return to form for Ramsay after a series of aborted projects and poisonous press.

So glad to have her back.

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In their far-reaching variation — a motion-capture love scene, a neorealist family drama, and an intensely mournful encounter with Kylie Minogue — is a testament to the magic and madness of creating miniature worlds for the camera. The thing about The Social Network is that it never really set out to be about the details of how Mark Zuckerberg founded Facebook in the first place. The jihadi invaders are all too human, even goofy at times, which makes their casually monstrous actions that much more startling and horrific. On one level, the title of This Is Not a Film is an extremely dark joke — Jafar Panahi made it with his co-director, Mojtaba Mirtahmasb, while on house arrest, after having been sentenced to a year ban on filmmaking by the Iranian government, and it was smuggled out to its Cannes premiere on a flash drive hidden inside a cake.

Freddie Quell Joaquin Phoenix is a man undone. Writer-director Paul Thomas Anderson creates a work defined by its precision and details — the achingly serene blue of the ocean, light the color of melted gold, alcohol used as both healer and weapon. But what transfixes are the performances. Phoenix stands with crooked, hunched posture, making Freddie look like a living question mark.

Hoffman portrays Lancaster Dodd with both ragged egoism, a hulking presence, and the shimmer of self-doubt. Four score and seven films — at least — might be contrived from the life of Abraham Lincoln, but Steven Spielberg and screenwriter Tony Kushner home in on a few months in leading to the vote in the U.

House of Representatives on the 13th Amendment outlawing slavery. The prism is politics, the fine and coarse art of persuasion, the machine in a democracy through which ideals are translated into legislation and legislation into law.

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Daniel Day-Lewis speaks in a soft, cracked voice that lulls its listeners with indirection before driving home a lawyerly point. But you feel you know what it was like to be in his presence. Can Lincoln be taken as a smack at Republicans or a gentle rebuke to Obama, who lacked the Lincolnesque wiles to entice his rivals to the table?

It follows Amelia Essie Davis , a widow raising her annoying-as-hell son alone, riddled with exhaustion and increasing unease over the figure of the Babadook she first encounters in a pop-up book. Phoenix is a postwar noir, an incredible showcase for star Nina Hoss, and a reworking of Vertigo from the opposing perspective. A triumph of humanist filmmaking. Brie Larson in her breakout film is Grace, a counselor at a short-term resident foster facility for at-risk kids, where many of her charges stay for years — and where Grace must confront her own history of abuse.

Writer-director Destin Daniel Cretton has a brutally real design: Every seeming breakthrough is followed by a harsh fallback. Sandra must now convince her peers to turn down those bonuses so she can keep her job. Two Days, One Night follows the character as she makes her case and unearths fraught emotions. A dark, delectable comedy involving two distant cousins: the formidable Lady Sarah Rachel Weisz and the wily, on-the-make Abigail Emma Stone , each vying to be the favorite of the ailing Queen Anne Olivia Colman.


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  • And made for television, really, but shown in enough theaters to qualify for encomiums and awards from film critics — and to make us once again muse on the dwindling distance between the various means of exhibition. Simpson epic pokes and prods, extrapolates and interpolates.